8.
                  1978- 
                    BIENNALE DE VENISE PIERRE RESTANY COMMISSAIRE 
                  Catalogue 
                    Biennale de Venise 1976 (First Volume) 
                  Artistes du la sélection 
                    française invités par Pierre Restany 
                  Hervé Fischer (Collectif 
                    d'Art Sociologique) 
                  Fred Forest (Collectif d'Art 
                    Sociologique) 
                  Jean-Paul Thénot (Collectif 
                    d'Art Sociologique) 
                  Raymond Hains 
                  Alain Jacquet 
                  Jean- Pierre Raynaud 
                  Bertand Lavier 
                  Jean-Michel Sanejouand 
                    
                  Environment and participation 
                    : a psychological theme. The freench secion offers some concrete 
                    proposals for a type of immediate communication through visual 
                    language. In his " Biennale Eclatée " ( Exploded Biennale) 
                    series Raymond Hains uses in ahalf-poetical, half-critical 
                    way the graphic material (catalogues, posters) of previous 
                    Biennales (1964-68). The Seven Object of Alin Jacquet, three-dimensional 
                    symbols, can be seen as the achievement of a long meditative 
                    process, centered upn the essential signifiance of the human 
                    condition. The work of the young and talented Bertrand Lavier 
                    reveals a sharp analyst of visual perception. Jean-Pierre 
                    Raynaud's environmental strcture in ceramics, " Carrelage 
                    ", appears as part of his house inb the Paris surbubs moved 
                    to Venice. Jean-Michel Sanejouand has given a planatary dimension 
                    to his maps of " organized spaces ". 
                  The collectif d'Art Sociologique 
                    " publishes the third Manifesto of the Movement on this occasion. 
                    Herve Fischer, Fred Forest, and Jean-Paul Thenot are using 
                    the well-know " translumination " proces of Contenotte for 
                    their own " Cultural Implosion Devices. 
                  Pierre Restany 1976 
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