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                   50 
                   
                    INSTALLATION / WEB SITE 
                  THE 
                    NETWORKED TERRITORY 
                  IMAGINA 
                    96, GALERIE PIERRE NOUVION, MONACO 
                    JANUARY 1996 
                  http://www.monaco.mc/exhib/territories 
                  The 
                    inauguration of an online version of the artist’s “Territory 
                    of the Square Meter” (i.e., its digital deterritorialzation) 
                    forms the pretext for two public participation initiatives 
                    occurring at the Nouvion gallery. In the first, a digital 
                    picture is made of each visitor upon entering the gallery 
                    and is instantly relocated to a specific square meter parcel 
                    of the now worldwide cyber-territory. In the second, the “Universal 
                    Foot Project,” visitors to both the gallery and the 
                    website are invited to have an outline of one of their feet 
                    traced, scanned, and uploaded to an online database—an 
                    effort to lay claim to networked space by literally/virtually 
                    setting foot upon it just like the astronauts who first set 
                    foot on the surface of the moon. The web site—also a 
                    “site of memory” for the artist—featured 
                    a series of linked texts and images. The ironic texts offered 
                    a semi-fictionalized history of the “Territory.” 
                    The accompanying imagery included photos of the interior and 
                    grounds of the Territorial “seat of government” 
                    (the artist’s country home in Anserville, France), private 
                    snapshots, and archival material from the artist’s many 
                    projects. Visitors had the option of taking a guided tour 
                    by clicking on “Forward? and “Back” buttons 
                    or could err about the labyrinthine site by clicking on the 
                    links in random order, thereby creating their own version 
                    of the artist’s (e)state/life/career. 
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