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                   22 
                  MEDIA 
                    EXPERIMENT / EVENT 
                  THE 
                    ARTISTIC SQUARE METER 
                  MEDIA 
                    COVERAGE (print, radio, T.V.), ESPACE CARDIN-HÔTEL LE 
                    CRILLON, PARIS 
                    MARCH–OCTOBER 1977 
                  An 
                    ingenious parody of the speculative practices common to both 
                    the real estate and art markets, this major example of tactical 
                    “information art” relies on the subversive effect 
                    of “parasitical” pieces of information introduced 
                    into the echo chamber of the mass media for the purpose of 
                    playing off—and hence exposing—the internal contradictions 
                    of centers of power/rackets that rely on the hording and control 
                    of information in a particular field. The artist creates an 
                    authentic real estate company for the purpose of promoting 
                    square meter lots—all part of a remote tract of land 
                    in the countryside near the Franco-Swiss border—that 
                    are officially designated as “artistic” square 
                    meters in papers filed at the local title office. He then 
                    places “for sale” ads in several prominent national 
                    and international publications and announces that the first 
                    of the “artistic” square meters is to be auctioned 
                    off at Le Crillon. The artist is interrogated at police headquarters 
                    at the request of the Interior Ministry, which later intervenes 
                    to block the public sale on the grounds of false advertising 
                    and suspected real estate fraud. The artistic square meter 
                    of land is replaced at the last minute with a “non-artistic” 
                    square meter of fabric. The auction proceeds and the mundane 
                    cloth fetches a high price, no doubt driven up by the publicity 
                    the whole affair has generated—a denouement that prompts 
                    the art critic Pierre Restany to formally declare that the 
                    non-artistic square meter was indeed a true work of art! 
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