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Critical
by Louis-José LESTOCART
Beginning years 80, Gary Hill, artist video, starts its
research on the language. In particular on the idea of
a physicality of the language. Soon, thanks to the process
of a machine named Rutt/Etra (scan electronic processor
finalized in the beginning of the years 70) that permits
him to explore the physical nature and the immediatity
of the medium, he inaugurates a work on the real time,
intrinsic to the video, where he discerns a movement close
to the one of the thought. Such a flux, a
topology of the time restored made sensitive by the medium.
Then he creates, the notion of metalogue (according to
Gregory Bateson, biologist and epistemologist who wrote
Mind and Nature : A Necessary Unit, 1979),
combining the multiple narration, that build effects of
arborescences fro | | |
